Four Views From the Roof - West

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My Unfinished Apartheid Thriller

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                 An Israeli Prime Minister as imagined by the DALL-E AI programme     About six months ago, I was revisited by the writing bug and decided to try my hand at fiction  - a "diplomatic thriller" to be more specific. The choice of genre was not dictated by any literary preferences. I'm not a big fan of thrillers. But the idea was to use the thriller as the most suitable vehicle to write about what was really bugging me - Israel's inevitable slide into apartheid.      I also thought that my professional experience might come in handy. For more than two decades I worked as the press officer for the EU Delegation to Israel and followed the sometimes turbulent relations between Israel and the European Union from the vantage point of an Israeli working inside the EU, in other words as someone with a split identity. I believed that this familiarity with the mind-sets and decision making processes of both sides would somehow provide me with the tools to weave a b
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A Hagana despatcher in the 1948 War of Independence on what seems to be a stationary motorbike. I took the photos in this post at today's exhibition. Went to see an exhibition at the Eeretz Yisrael Museum. Zoltan Kluger, Chief Photographer 1933-1958." These are official Zionist propaganda photos, some of them staged, but many of them impressive nevertheless. He also photographed Palestinian refugees (although not for the Zionist institutions) and workers clearing the rubble from abandoned Palestinian villages after the War of Independence. Although a staunch Zionist, the Hungarian born Zoltan also had an uneasy relationship with the Zionist institutions that provided his livelihood and, like many Israeli artists even today, fretted about being unnoticed because he was working in a Levantine backwater. Well to do residents of British Mandated Palestine taking a flight from Haifa to Tel Aviv (1930s) "I'm suffocating," he was quoted as saying. "I'll die.
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